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Whether swinging with her hot Jazz band 'The Salty Dogs', or singing ballads from the American songbook
accompanied by a solo piano, Cate Cody is a very popular performer in restaurants and
jazz festivals as well as weddings, parties and corporate work.
Here's a few words from Cate:
Q: Why a jazz singer?
A: I have always loved singing, one time I was having fun with some friends when someone heard me sing, they said ‘you have a Jazz voice; that’s what you should be singing’
Q: How did you follow this up?
A: I went to the local library, borrowed CDs of Billie Holiday and Louis Armstrong, (the only jazz singers I’d ever heard of). After a lot of listening, some uncertainty and a little persuading, I found myself singing Billie’s version of Loverman; I never looked back.
Q: What style of jazz do you sing?
A: I like to sing a balance of well known favourites and rare classic jazz tunes. There are the ‘greats’ like Cole Porter, The Gershwin’s and Hoagy Carmichael who I love, but I also think it’s important to pursue the salvage of the less well known tunes and composers; some are almost lost to history. My repertoire has really been built up over the years with songs that I hear, fall in love with and have had to learn. There have also been some that I’ve learnt specifically as requests for weddings and have kept
on singing afterwards. I always try to learn the verses; they are important introductions to the songs and are sadly often omitted.
Q: Who are your influences?
A: Billie Holiday remains my all time heroine, I never tire of her voice, it’s exquisite and never fails to leave my heart pounding with its emotion and passion. I’m also a huge fan of Annette Hanshaw, Peggy Lee, Fats Waller and many others.
Q: Who have you/do you work with?
A: Various bands for a few years before I organised my ‘Salty Dogs’ who include greats such as reedman Norman Field and drummer Nick Ward. I have had the honour of working with distinguished pianists such as Martin Litton, Keith Nichols and Jonathan Vinton, and have worked several times with Frans Sjostrom, almost certainly the world's finest Bass Saxophone player. I have recently been working a lot with the experienced Mike Graver on Piano - we seemed to gel instantly with our styles complimenting each other
wonderfully (for more on Mike click here). I also perform regularly as a guest
singer with other bands including Sticky Wicket Swing Band .
Q: What type of work do you do locally?
A: All sorts, I love the variation which includes weddings, parties, festivals, restaurants, charity work, dances, even boat parties (always ‘interesting’ when boarding a real piano…). That’s the beauty of jazz – it’s so flexible, with a piano player just two of us can create a relaxing atmosphere for say an afternoon wedding, or for Theatres, Corporate work and festivals, up to a six piece band is more appropriate where the atmosphere needs to be a bit more electric…
Q: What/Where are your favourite venues/types of gigs?
A: There are so many, I like the Greenway in Shurdington, the weddings there are always intimate and proficient and the staff particularly charming. Another favourite is the delightful Daffodil in Cheltenham, the atmosphere is always very relaxed and I’m sure the decor of the place adds to the quality of our music! Naturally I enjoy the grandeur of singing in places such as Blenheim Palace and last year we played in one of the libraries of Oxford University. Of course the beautiful Cotswolds harbour many
exquisite villages, towns and houses where we play at functions; private, public and fund raising. We also perform at many ‘picnic suppers’, where the community hires the village hall or perhaps in the summer, the grounds of the local manor, they hire the band, bring their picnics and dance the night away…
Q: Since you began singing jazz, how has your interest in the era developed?
A: I love to show the relevance of Jazz today. I devised two successful shows at the Roses Theatre in Tewkesbury, the first was based on songs and snippets of social history for every year between 1914 and 1932 (e.g. 1916 – The first false eyelashes were used and
‘Down In Honky Tonk Town’ was written and in 1927, Heinz salad cream was produced and ‘Can’t Help Lovin’ Dat Man’ was written). The second show was devoted to all the aspects of love, setting the scene with ‘I’m In The Mood for Love’ gradually moving
into revenge with ‘Hard Hearted Hannah’ and rounding up with the fun side of love and ‘I Want To Be Bad.’ That’s what’s so great about jazz; it is estimated that about 300,000 ‘popular’ songs were copyrighted between 1910 and 1950 so there’s pretty much a song for everything. I really enjoy delving into the rich history behind the era, its songs and composers.
Q: Where can we see you?
A: Most of my work is for private functions; weddings and parties etc. Restaurants are a lovely place to see me but if you would like something more lively come to a proper dance - I have been booked twice by Gloster Jive & Swing Dance run by the UK Lindy Hop champions and occassionally hold my own
dance evenings . I would like to do more public performances and bring classic jazz to as many people as I can... check the Dates page for the lastest info, or better still Subscribe for an occassional email with upcoming performances.
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The excellent Mike Graver has been handling most of the piano duties for the last year with Cate. Here's some information on Mike's extensive Jazz background:
“Mike began his musical career at the age of 5, demonstrating early talent by playing tunes 'by ear' on the piano. By the time he left school to live in
London, he was already enjoying the music of the many bands broadcasting on
the radio of which Ted Heath was one of his favourites. He was collecting
records of ‘Jazz greats' and soon began to be influenced by players such as
George Shearing, Erroll Garner, Art Tatum and Dave Brubeck. The critical
study of the masters through their recordings became a pattern of practise
that has continued throughout the years.
He soon began playing in pubs and clubs around the East End of London where
the piano player was expected to be able to cope with any song a vocalist
wanted and in whatever key they wanted to sing, which often turned out to be
between the cracks in the piano keys!!
Royal Air Force service in the Middle East provided more opportunity to
develop working with a jazz quartet, comprising of clarinet, piano, bass and
drums. With so many RAF, Army, Navy and Civilian clubs, life was musically
very busy and there were occasional opportunities to 'guest' with some of the
Army Big Bands.
Back to London, further influences came from Oscar Peterson, McCoy Tyner, Bill
Evans and British pianist and composer Brian Dee. Brian comments "Since I
have known Mike, there has been a continuous development in his playing and I
feel he is now very much his own man musically".
During the nineties and into the new Millennium, Mike has been a valued and
respected member of the acclaimed Tad Newton's Jazz Friends, where his elegant
piano contributions have won him a host of admirers on the National and
International Jazz scene, including major venues such as The Barbican, The
Derngate Theatre, The 100 Club, Ronnie Scotts and numerous Jazz Festivals
including Guernsey, Upton-on-Severn, Teignmouth and the Isle of Bute.
Tad sums up Mike's approach to playing jazz, saying, "His repertoire,
improvisation, presentation, professionalism, musicality and enthusiasm
reflect an elegance in Jazz that is laudable".
Mike has broadcast on BBC Radio, appeared on TV and has made a number of
recordings in his own right as well as contributing to CDs of other bands.”
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